.... her commentaries. These commentaries are usually on the basis of racism. As she states when she notices that there are no black people on the bus, “I see we have the bus to ourselves.�(p.344) Mrs. Turpin is almost the exact same way as Julian’s mother. The only difference between the two is that Mrs. Turpin was waiting in a doctor’s office. She too seems like she is the one who is in command of the conversation. The same holds true for the grandmother in A Good Man is Hard to Find. She continues a conversation with a man that is has murdered her family and threatening to murder her. Through the use of dialog these three women also .....

.... where even though the play ends properly, and in a dignified way, Othello never fully realizes or takes responsibility for what has happened. These two last orations of Othello are noble in speech and purpose, but lack comprehension. He uses the first to attack himself for his horrible deed; certainly this is the first reaction of anyone who has wrongly killed his beloved. He delivers condemnation upon himself with eloquence and anguish. The latter speech he gives in his final role as a leader, directing the men who remain about how to deal with what has happened and showing them he has purged the evil. In his initial self-loathing an .....

.... in control of everyone. The third, and lowest, class is the proles. The party does not even watch or care about the proles, because they are not important, and have no power at all. Harrison Bergeron apparently had everyone equalized through handicapping all those with extraordinary abilities. The classes were the same as they are in modern America, only with handicaps. Human Nature was repressed in both stories. It is human nature to express one’s talents in some way. In 1984, any kind of personal expression was thoughtcrime, and would cause the guilty individual to be taken to the ministry of love, and brainwashed. In Harrison Be .....

.... Goodman Brown spots a figure in the mist ahead. The figure was the purpose of his journey into the forest. He (the figure) was an older man, which resembled Goodman Brown. The most discerning aspect of this traveler was his staff, “…which bore the likeness of a great black snake…”(103). The traveler’s staff seems to symbolize the evilness of its keeper. Goodman Brown tries to stop his journey into the woods, but he is persuaded (by evil) to keep on going. Satan now starts to introduce the evil that is apparent in his family by talking about his father and grandfather and the things they did in the past .....

.... give her are merely tokens of exaggerations and are listed to show his beloved that this is how much he wants her. Whereas in Sonnet 130, the poet is earnest and truthful in what he writes about his love. "I love to hear her speak, yet well I know that music hath a far more pleasing sound, yet, I think my love as rare as any she belied with false compare." This shows his honesty in speaking about his object of affection, yet he achieves the same sense of unconditional love that the poet in Marlowe’s poem tries to delineate without using embellishments. The speaker in Sonnet 130 doesn’t hyperbolize about his "rare& .....

.... found employment at the age of 18 as a violinist in a court orchestra in Weimar. Soon after, he took a job as an organist at a church in Arnstadt (1703-1707). Here, as in later posts, his perfectionist tendencies and high expectations of other musicians – for example, the church choir – rubbed his colleagues the wrong way, and he was embroiled in a number of hot disputes during his short tenure. In 1707, at the age of 22, Bach became fed up with the lousy musical standards of Arnstadt (and the working conditions) and moved on the another organist job, this time at he St. Blasius Church in Muhlhausen (1707-1708). The same year, he marri .....

.... that any reader must follow, but that it offers a new way of seeing a literary work, which may not have been possible to the reader. For example in the critical analysis of a poem the reader might look for the connections between words, stanzas, structure and ideas. The four basic approaches to literary criticism are: 1) the mimetic 2) the pragmatic 3) the expressive 4) the objective Mimetic approach- describes the relationship of the literary work to the world or the universe in which the work was conceived or being read. Pragmatic approach- describes the effects of the work on its audience. Expressive approach- propos .....

.... man's jurisdiction. I had never before looked up and at the sky when there was not a familiar mountain ridge against it...I did not believe that my father and mother were watching me from up there; they would still be looking for me at the sheepfold down by the creek, ... I had left their spirits behind me... I did not say my prayers that night: here, I felt, what would be would be."(Pg. 11-12) We see that Jim is a state of awe. He does not see this place as land or a country, but the building blocks for such things. He thinks he is in the heavens, not on the planet. He feels like he is in his own universe. The landscape adds a .....

.... masterfully written example of such works, conceived from his and his wife's anguish at the loss of their first-born son as well as from the estrangement between his sister-in-law and her husband due to the death of their child. In Donald J. Greiner's commentary on Frost's works, "The Indespensible Robert Frost," it is revealed that "Mrs. Frost could not ease her grief following Elliot's death, and Frost later reported that she knew then that the world was evil. Amy in "Home Burial" makes the same observation". "Home Burial" illustrates the cause of the failing marriage as a breakdown of communication, both verbally and physically, betwe .....

.... and when she hears the Duncan will visit their castle that night, she immediately appeals to the evil spirits, to (ironically) give her the strength to kill the king. In Act 1, Scene 7, Macbeth is doubtfull of Lady Macbeth's plot to kill the king. He doesn't think that he will be able to live with the guilt of killing his king while he is staying under his very roof, and then decides that he will not kill the king. This shows that Macbeth is thinking about what he is going to do, and shows that he does feel guilt and is weighing up the situation, unlike Lady Macbeth who never thinks twice about killing the king. When Lady Macbeth notices th .....