.... (30) The dis-pair and loneliness that Iona feels are sorrow. "May it do you good . . . But my son is dead, mate . . . Do you hear?" (33). Iona desperately wants to tell about his sons' death, and how it is affecting him. "He wants to tell how his son was taken ill, how he suffered, what he said before he died, how he died"(34). Ionas' son has died, and he feels as though it should have been he to the grave instead of his youthful son. "My son ought to be driving not I"(34). The gray dismal surroundings entrap Iona and make the desolation worse for him. "Iona Potapov, the sledge-driver, is all white like a ghost" (30). "He sit .....

.... For example, both Edgar and Isabella Linton suffered horrible marriages. Wuthering Heights revolved around the passion that Catherine and Heathcliff felt for each other. Edgar, on the other hand, felt a more reasonable love for Catherine. Catherine is devoted to Edgar and his money, yet was in love with Heathcliff. Nelly explains this situation when Cathy told the maid Edgar proposed to her. “You love Mr. Edgar, because he is handsome, and young, and cheerful, and rich, and loves you.�1 (Pg 80) Catherine later admits her true love for Heathcliff and how Edgar never was a match for her. “That will do to explain my secret, as wel .....

.... sent. Rambert chooses to run from the problem rather than face it. McCarthy also points out that he neglects his basic duty as a reporter by failing to record anything (109); a duty which Rieux and Tarrou fulfill. Grand produces two sentences and does nothing to fight the plague, which McCarthy interprets as a parody of Rieux's inability to explain the plague (109-10). Cottard wholeheartedly embraces the plague, revels in it, and attempts to profit from it. The rest of the people either waste their time, waiting for the end (the old man spitting on the cats, the bean-counter, etc.) or join the sanitation squad, under Tarrou. Nobody t .....

.... companion for his first creation he may be endangering others. "The miserable monster whom I had created," (pg.152) says Victor upon looking back at his work. If there is another monster there will be twice the power and possibly twice the evil, which could hurt or kill his family. When and if Frankenstein commits the moral sin of creating another monster he may be rid of both monsters forever. "With the companion you bestow I will quit the neighbourhood of man,"(pg 142) promises the morally corrupt monster to the doctor upon the completion of his partner. When the doctor, if and when he, finished his first creation's mate there is a ch .....

.... have a chance to rid of him: “Put on what weary negligence you please, You and your fellows. I’d have it come to question.” (I, iii, 13-14) Goneril’s act demonstrates her impatience and her revengeful nature as she wanted Lear to suffer from whatever she had to put up with him before. In Act 1, Scene 4, Goneril complains about Lear’s impulsive behaviour and constant moodswing: “…and put away These dispositions which of late transport you From what you rightly are.” (I, iii, 217-219) Telling her father what he ought to do is thought of as disgracing her father during those times. A chil .....

.... a gentleman about whether everything is for the best in the physical world as well as the moral universe. The man replies: ...I believe nothing of the sort. I find that everything goes wrong in our world; that nobody knows his place in society or his duty, what he's doing or what he ought to be doing, and that outside of mealtimes...the rest of the day is spent in useless quarrels...-it's one unending warfare. By having this character take on such a pessimistic tone, he directly contradicts the obviously over-optimistic tone of Candide. In the conclusion (page 1617) an old turk instructs Candide in the futility of needless philosophi .....

.... and Sonia who were immigrant children and were lost in a big city. Most Mexicans believe that they shouldn’t trust anybody, especially the police. As soon as they arrived to the United States parents would tell their children never talk to strangers, not even the neighbors. The parents of Sonya and Macky gave them a set of rules which were “Rule one: never talk to strangers, not even the neighbor who paced up and down the hallways talking to himself. Rule two: the police, or “polie� as Sonya’s popi pronounced the word, was La Migra in disguise and thus should always be avoided. Rule three: keep your key with you at all times .....

.... spirit emphasizes the need for Hamlet to act quickly: I am thy father’s spirit, Doomed for a certain term to walk the night And for the day confined to fast in fires Till the foul crimes done in my days of nature Are burnt and purged away. [1.5: 14-18] The message is clear: if the prince is to truly ease the suffering of his father’s spirit, he must avenge the murder immediately. Hamlet initially meets his challenge with zeal, promising the Ghost that he will produce quick results: Yea, from the table of my memory I’ll wipe away all trivial, fond records, All saws of books, all forms, all pressures past, That youth .....

.... perspective. Therefore, how we perceive the other characters is based on his opinion. This applies not only to the people, but also to events and phenomena as well. Our impression of the novel and its happenings are largely dictated to us by Nick, because he is our eyes as well as our ears in this fictitious world. In telling us his story about the “great man,� Jay Gatsby, he goes to quite a length in establishing a credibility which is essential for the story. His reflection on his upbringing, particularly his “advantages,� as his father called them, those being his spiritual and moral values only work to build upon his credibi .....

.... one of very few people who have died with their integrity intact. He is a special man, who is steadfast in upholding his principles, even when death breathes down his neck. Sir Thomas More truly is a paragon. One character in the play particularly concerned with his goals, regardless of the path he must take to reach them is Thomas Cromwell. Cromwell is the personification of pragmatism and is willing to do anything, providing the end sees him satisfied. "…our job as administrators is to make it as convenient as we can," Cromwell states in reference to the King's divorce and the pursuit of More's support. He is "…the King's ear," and .....