.... and story lines of the majority of his works. John Ernst Steinbeck was born in Salinas, California, on February 27, 1902. His father's family, originally called Grossteinbeck, had come from Wuppertal, about twenty miles east of the German city of Düsseldorf. During summers he worked as a hired hand on nearby ranches, "nourishing" his impression of the California countryside and its people (Lisca 32). He made occasional exciting trips to San Francisco with his family and more frequent trips to the Monterey peninsula (Fontenrose 2). In 1918, he became ill with pneumonia and almost died, but he was able to recover. After .....

.... individually responsible for narrating two stories while on a pilgrimage that journeyed from Southwark to Canterbury, and two stories while on the return trip from Canterbury to Southwark. Chaucer only finished twenty-two of these narratives before his death in 1400. Still, through the twenty-two stories he did write, he managed to capture the culture and mind set of England's occupants during this transitional period between the medieval and Renaissance era. This marked change in times in which medieval man insisted upon being a member of the spiritual community and thought that the individual had no right to test the "truths" of time; con .....

.... Heart of Darkness, but this time reading between the lines, I have discovered some racism Conrad felt toward the natives that I had not discovered the first time I read the book. Racism is portrayed in Conrad's book, but one must acknowledge that back in the eighteen hundreds society conformed to it. Conrad probably would have been criticized as being soft hearted rather than a racist back in his time. Conrad constantly referred to the natives, in his book, as black savages, niggers, brutes, and "them", displaying ignorance toward the African history and racism towards the African people. Conrad wrote, "Black figures strolled out lis .....

.... all--. Stella: You lay your hands on me and I’ll—“(57) This just proves what I was saying about one of Stanley’s moods. His violence and the fact that he looses control of his actions is one characteristic which I didn’t particularly like at all about Stanley. Here’s another passage in Scene 10 that really show’s how mean Stanley really is. This scene depicts when Stanley gets into a fight with Blanche. The scene concludes on a sour note when Blanche breaks a bottle top on the table and try’s to hurt Stanley . Stanley says: “Oh! So you want some rough-house! All-right, .....

.... We are regaled with story upon story of the Greeks, their heroes, and their exploits, while the Trojan's are conspicuously quiet, sans Hector of course. It could almost be assumed that throughout time most of the knowledge of the battle from the Trojan side had been lost. Considering the ability to affect feelings with similes, and the one-sided view of history, Homer could be using similes to guide the reader in the direction of his personal views, as happens with modern day political "spin". These views that Homer might be trying to get across might be trying to favor Troy. It could easily be imagined that throughout t .....

.... Macbeth! Macbeth! Beware Macduff. Beware the thane of Fife." In the following scene, we see murderers sent by Macbeth enter Macduff's castle and slaughter both Lady Macduff and her son. The witches are also responsible for this murder, because once again, the witches put ideas in his head. Although the witches can be held responsible for the murder of King Duncan, Lady Macduff and her son, they cannot be held responsible for the murder of Banquo. The witches only speak of Banquo when Macbeth meets with them for the second time and Act 4, Scene 1, after Banquo has already been killed. This murder is the complete responsibility of Macbeth, be .....

.... April 1616, disposing of his large estate in his will. These, are the facts of Shakespeare's life. Anti-Stratfordians claim that this William Shakespeare of Stratford-upon-Avon was not the author of the plays and poems that contain his name, but the evidence for Shakespeare's authorship is abundant and wide-ranging for the era in which he lived, much more abundant than the comparable evidence for most other play writers. A strong, tight web of evidence shows that a real person named William Shakespeare wrote the poems and plays attributed to him; that a real person named William Shakespeare was an actor in the company that produced the pl .....

.... his desires, who operates as an extension of Prospero’s body. In a way, Prospero, through his creative word, Ariel, can be seen as being omnipresent. However, Ariel chafes under his master’s control, desiring a liberty that would ironically reduce him to nothingness, dispersing him into thin air. Caliban, the son of the evil witch Sycorax, is the perfect brute, who would be petted and patted, given food and drink, and taught to speak. Caliban learns language only to turn it against itself. He becomes vindictive and rewards his master’s, Prospero, efforts with curses. His developed consciousness leads him into deeper .....

.... estranged by God. His enormous size and strength make him resemble early thoughts and descriptions of Satan. and his men slept in the mead hall one night and everybody lay awake for they feared when Grendel may come. When Grendel came crashing through the great doors of the mead hall he grabbed one of 's men who he let be devoured by Grendel. When Grendel came to he immediately saw who he was and before Grendel could grab him got hold of him. fought honestly without weapon because Grendel did not have a weapon either therefore would be shamed if he slew Grendel with a sword. After pulverizing Grendel he finished him off by tearing off h .....

.... very title makes an impact on the mind. You get at once the knowledge that this is not, whatever else it may turn out, either a frivolous or even a gay springtime story. Chrysanthemums are not only flowers of the autumn: they are the autumn itself . . . This man knows what he wants. He sees the scene of his story exactly. He has an authoritative mind. (Ford 257) As a fiction editor, he is quite receptive to Lawrence’s descriptive gifts. He is impressed with Lawrence’s sense of purpose. But readers needn’t assess the short story by Ford’s methods alone. Modern readers have a very different perspective than Lawrence’s contemporar .....