.... for her as much as my young years would permit. I would sit by her side for hours, sewing diligently, with a heart as free from care as that of any free-born white child . . . (377) Linda’s mistress didn’t treat her as a slave. She freed Linda from almost all of her troubles. Linda didn’t have to worry about being yelled at or getting whipped. Linda’s mistress was almost a second mother to her. She cared for Linda and taught her the essence of learning, which was how to read and write. Linda didn’t take anything for granted while living with her mistress. Staying with her mistress was the happiest time in Linda’s .....

.... as the master of her destiny. Her affair with Rudolphe was made after her decision to live out her fantasies and escape the ordinariness of her life and her marriage to Charles. Emma's active decisions though were based increasingly as the novel progresses on her fantasies. The lechery to which she falls victim is a product of the debilitating adventures her mind takes. These adventures are feed by the novels that she reads. They were filled with love affairs, lovers, mistresses, persecuted ladies fainting in lonely country houses, postriders killed at every relay, horses ridden to death on every page .....

.... children and it is the reason that two of her children run from her because they fear for their lives. Beloved wishes to consume Sethe, she wants to own Sethe, a relation not unlike that of a master and slave. "I am Beloved and she is mine," (Morrison 211) is one of the more eerie statements in the book. How Beloved traps Sethe is simple, for Sethe "the future was a matter of keeping the past at bay" (Morrison 42) and when her past, Beloved, catches up with her the future is gone and she is enslaved. What's more, Beloved does not intend to allow her slave to go free, "I will not lose her again." (Morrison 214) When Beloved returns to the .....

.... was also based on religious writings, the Bible, which was unreal. Utopias such as these can never be achieved as they do not realistically reflect human nature and peoples’ way of life. Colors were symbolic in both The Scarlet Letter and Pleasantville, especially red. The first instance of color in Pleasantville, was red. Red was also symbolic in The Scarlet Letter, where the letter was scarlet, or red. Red represented the heart. Not literally, but the human soul and an individual’s feelings. The letter on Hester’s chest revealed her desires which she acted upon, which were normal. What started with red in Pleasantville, turned i .....

.... and telephone, and the first publication of the periodic table. Science also caused an uproar in society when Charles Darwin published The Origin of Species, which became the scientific basis for the study of the evolution of humans. Many people in the nineteenth century detested Darwin's theory of the evolution of man because it went against their religion, which believed that God created the world. Science, soon, developed the big bang theory, which states that earth was created by the attraction of atoms. The nineteenth century society was afraid of science because it contradicted their beliefs, and was afraid that the results of .....

.... is that of the motion of the insects, which is used both as a description and a comparison. Moths appearing on the screen one night are described as those that "have seen this one lighted room and traveled towards it. A summer night's inquiry." (9). In the Garden of the Blind, Patrick observes the blind woman's remaining eye "darting", "moving with delight", "and alighting", all easily visualized. Later in the story, Carvaggio watches a woman in the boathouse. "In this light, and with all the small panes of glass around here, she was inside a diamond, mothlike on the edge of burning kerosene, caught in the center of all the facets" (198). .....

.... to a political career, whilst her mother is emotionally abused by the father and siblings. She is clearly suffering from depression and low self esteem which is evident right from the beginning of the film. Muriel's siblings are unemployed and show no desire for a better future and the father, Bill reinforces his families' low self esteem by constant negativity. Muriel's desire to get married is at some level her opportunity to escape this environment. Throughout the film, Muriel demonstrates avoidance behaviour. Music plays a large part of this process and becomes a symbol of freedom from her environment. She allies herself with .....

.... also just as alone as Henry and with nowhere to go. The entire work was aware of where it was going and what was going to happen next, and then to stop the way it did was unfair. Now, I've read enough essays while deciding which would be the topic for my class presentation that I know many people see that the unfairness of life and the insignificance of our free will are apparently the most important themes in the book, but I don't agree. I also don't agree that it is a war story or a love story. Exactly what it is, though, is not clear to me. Can't art exist without being anything? "There isn't always an explanation for everything." War and .....

.... those with a low personal agency believe that something external, like a miracle, has more to do with accomplishing their goals. In an empowerment-based therapy, the clinician must relate to the client in a certain way. He/She treats the client as being able to make his/her own decisions, and he/she forms a good relationship with the client. The clinician's use of questions is also important in this process. Empowerment-based practice is tied with solution-focused therapy. Something used quite often in this practice is called “the miracle question.� The clinician asks his/her client this question, allowing them to visualize their f .....

.... ended a day memorable to me; it decided my future destiny"(Shelley 40). He calls his dilemma, a hell of intense tortures. Ironically, Frankenstein brought his disrupment upon himself. Frankenstein is quoted "solitude was my only consolation- deep, dark, deathlike solitude"(71). The relationship between the two Frankenstein and the creature is in a sense a combination of power. Frankenstein forced the creature into a life of solitude against his own will. "Hateful day when I received life… accursed creator…I am solitary and abhorred"(106). Yet by creating him, he had pulled himself into the same path of loneliness. His powerful us .....