.... stanza (line 1) Robinson’s reference to the harvest moon and the bird on the wing are both symbolic references to the passage of time. At this point Flood appears near the end of his rope. The jug Robinson refers to in line 14, “The jug that he had gone so far to fill,� is symbolic of Flood’s life accomplishments. Robinson also speaks of “A valiant armor of scarred hopes outworn,� stanza 4, line 18 symbolizing his once strong-willed ambitions and how they now appear lost to him. The reference to Roland’s ghost in line 20 and its comparison to Flood’s struggle symbolizes his loneliness and futile cries for help with his unkno .....

.... contrast to the images of the innocence of the Lamb (from The Lamb of Songs of Innocence), Blake’s Tyger seems to be quite “devilish.� The beast is a representation of the angry God, as it is a combination of mystery, terror, and of wrath. The contrast of the Lamb and the Tyger also resembles the idea of when a beautiful thing like love can turn into an ugly thing like hate. The Tyger is obviously a representation of evil and of darkness. In Blake’s words, it is also apparent that the Tyger is somewhat of a puzzle, or an enigma, if you will. It is a mysterious beast with unknown origins. It seems that the Tyger is a resul .....

.... of permanency which will linger through out the sonnet. "O no! it is an ever-fixed mark/ That looks upon tempests and is never shaken" (Shakespeare 5-6). Again, Shakespeare reinforces the importance of his theory. Love must not be taken lightly or trifled with, in its truest form it is a blazing seal upon the hearts of those who know it. Once someone is in love, they can not move on or change the object of their affection. Similarly, someone who is not in love is unable to fabricate the kind of devotion which such passion demands. It is this sense of definite, separate, and opposing archetypes which is the foundation of "Sonnet 116. .....

.... in lands of gold, and seeing many great states and kingdoms, he never truly realized the wonders of these things until reading Chapman's translation of Homer. Crossing many western islands bards have sung about, he never was able to comprehend their true serene nature until reading man's wondrous words. This narration explains that though these were sights well visited , their beauty and Keats imagination kept them alive. Having read Chapman's translation til dawn with his teacher, he was so moved he wrote this his first great poem and mailed it by ten A.M. that day. In On Seeing the Elgin Marbles for the First Time, the d .....

.... to Ian Ousby, writing in the Wordsworth Companion to English Literature, “Much of Donne’s poetry confronted the theme of death. In his Holy Sonnets, mostly written before he was ordained, there is the memorable poem beginning “Death be not proud� and he was also the author of two notable poems commemorating the death of Elizabeth Drury, the daughter of his friend and patron. . . . Generally regarded as the foremost of the metaphysical poets, Donne was always an uneven writer. His secular poems were original, energetic, and highly rhetorical, full of passionate thought and intellectual juggling. . . . His adroitness in argumen .....

.... she realizes they weren't passing the sun, it was passing them; time was passing by, past her life. Her life has now past her by, and she is arriving at her final destination, which was her grave, yet she describes it as her house. In the end she is looking back, and sees how centuries have passed, yet she isn't passing by anymore, and to her this hundred years seems as no time at all. Finally she accepts her death, and is able to pass into eternity. To her death wasn't harsh like some see it, but a kindly, gentle soul, taking her for a carriage ride to her final home. A child experiences death much differently than an adult. Children .....

.... to an aged, balding man, bundled unsuccessfully against the weather. Perhaps, in a larger sense, they refer to that time in our lives when our faculties are diminished and we can no longer easily withstand the normal blows of life. He regards his body as a temple- a "Bare ruined choir[s]"- where sweet birds used to sing, but it is a body now going to ruin. In Sonnet 116, love is seen as the North Star, the fixed point of guidance to ships lost upon the endless sea of the world. It is the point of reference and repose in this stormy, troubled world, "an ever-fixed mark That looks on tempests and is never shaken;..." He personifies the c .....

.... into the story, we learn that Grendel carries the curse of Cain with him. "He bore the curse of the seed of Cain/ Whereby God punished the grievous guilt of Abel's murder." Cain was the son of Adam and Eve and was the one who murdered Abel, his brother, out of a jealous rage for God's favor to Abel. This shows us that Grendel had more than just a dislike for the men, the song was showing Grendel that his ancestor was looked upon as the bad person and was therefore the underlying concept for Grendel's rage. This was the constant reminder to Grendel of his evil past and thus his reasoning for his actions. We learn to see Grendel as a l .....

.... after that he wakes up and forgets about his horrible duties to be fullfilled for that the Angel told him that it would be alright when the time comes. In the second poem from “Songs of Experience�, the boys viewpoint on religion changes. His optimistic view has changed into a dissapointed grudge towards God and the heavens. He has come to the harsh reality that being a child in a profession where help is needed, because the child can not help himself, God has let him down since he has not released him and the other boys from their coffins of black. He reveals this to the reader in the last stanza of “Songs of Experience� when he ma .....

.... Nightingale's song - as permanent as nature itself - in the Ode on a Grecian Urn, it is the perfection of beauty as art - transfixed and transfigured forever in the Grecian Urn - and in the Ode to Autumn it is the exquisiteness of the season - idealised and immortalised as part of the natural cycle - which symbolise eternal and idealistic images of profound beauty. In Ode to a Nightingale, Keats uses the central symbol of a bird to exemplify the perfect beauty in nature. The nightingale sings to the poet's senses whose ardour for it's song makes the bird eternal and thus reminds him of how his own mortality separates him from th .....