.... work on. These two are completely different, but because they have no one else in their lives they come to consider each other friends. When Lennie and George camped out in the forest George said, “With us it ain’t like that. We got a future. We got somebody to talk to that gives a damn about us.� What that quote means is George and Lennie are not alone; they got each other to care for one another. Next, when George was talking to Slim, a person working at the ranch, he said, “ ‘Course Lennie’s a God damn nuisance most of the time, but you get used to goin’ around with a guy an’ you can’t get rid of him.� What t .....

.... her personality. At the beginning of the play, it is explained to us, largely through Prospero’s exposition, that Miranda is perfect child. She’s compassionate, beautiful, well educated and obedient; She’s the apple of Prospero’s eye. At the beginning of the play of Act I sc ii , however, she comes off s being too perfect. Perfect to the point of annoyance. Perfect to the point of being sterile. despite her assets , she’s no more then a china doll. Throw Ferdinad , our handsome prince, into the mix , ND she becomes much more interesting. Gone is the virtuous maiden, replaced by a goggly eyed , puppy headed, hormone stricke .....

.... Home crafts centre.... Stick it up your arse, said Flo" (Oates 151). The reader sees no affection between the two. In fact, the tone of the story illustrates a lack of acceptance and even disappointment by Flo and shows that there has always been a distance between the two. The title is derived from a patient Rose met at the nursing home whose only communication was spelling words. After meeting this patient, Rose dreamed that Flo was in a cage and spelling words like the old patient she met in the nursing home. Rose tells Flo about her visit to the nursing home and is obviously trying to influence Flo into going to the home. Flo is .....

.... seductions into a promise. In other words, they try to persuade their listener to promise the satisfaction of a desire that could not be satisfied directly. The two main examples for this are the Monster’s as well as Frankenstein’s story, but the themes of seductive narration and promises can be found also elsewhere in the novel. The Monster’s desire is to be loved by someone. When he realises that not only the DeLaceys but every human being will reject him because of his uglyness, he tells Frankenstein his story in order to persuade him to create a female being of his kind for his companion. At the end of Chapter 8 of Volume II (pa .....

.... because his wife had pulled the fire alarm on him, but really it was he did not love her at all. "It's strange, I don't miss her at all(155)" Montag had uncertainly about his marriage, because marriage was suppose to be bonded with love, but with his marriage love was extinct and nowhere to be seen. His life had died, when his wife Mildred pulled the alarm and had told the firemen that Montag had books. To Montag, the books was like a sweet piece of candy. He did not know why he liked them, but he always wanted more. But when Captain Beatty forced Montag to burn his own house, Montag's soul had died, but then resurrected. His .....

.... of the novel and opened it up. I read the introduction and found that the novel was based on a political matter, and I thought that the title was just a metaphor, and there were no "animals" in the story. As I read I discovered the whole thing was a metaphor. The five topics I'll be covering are: 1. plot structure 2. conflict 3. point of view 4. symbolism and figuration language 5. theme and author's vision I hope this essay shows the ideas of Eric Blair and the freedom we have under government control. Body- 1. plot structure The story starts off in a form call .....

.... accusing people. For one thing she lusts after John Proctor, and she thinks that if Elisabeth is dead he will love her. Also she was somewhat of a henchman to Mrs. Putnam, and Dr. Parris, for she is eliminating Parris's enemies, and she accuses Rebecca Nurse for Mrs. Putnam. Of course Parris doesn't know her murder of innocent people is for him, but she does it out of a somewhat obsessive sense of faith to him. Of course the other girls aren't totally innocent, but they don't have much of a choice. If they were to speak out like Mary Williams, the others would accuse them of witchcraft, just like they did to Mary. In my eyes the main .....

.... control and remaining in control are two different things Claudius has some explaining to do, and this is precisely what occupies him for most of the second scene. It is practical concerns, Claudius argues, that have forced him to become king. There is of course the threat of Fortinbras who, thinking Denmark to be vulnerable "by our late dear brother's death" has been demanding "the surrender of those lands/Lost by his father" (I, ii, 23-24). In a gesture of contemptuous superiority, Claudius simply declares "So much for him" (I, ii, 25). That crisis is over. The fact is Claudius is in control. He has already acknowledged the moral awkwar .....

.... church was to help people, who committed crime, by giving them a guide to pray for a certain time so that they can receive absolution. But the Friar in was not honest and dedicated in doing his job. He abused his position by taking money from people who came to confess. He told them that they would get absolution if they pay him and thus broke the vow of obedience because it is against the Catholic Church. He broke the vow of chastity by having adulterous relationships with other women. By wearing expensive clothes, spending his time with wealthy people rather than helping beggars or sick lepers, he broke the vow of poverty. The Pardoner .....

.... by his or her personal history and cultural background, the writer understands it. It’s also much easier for an author to write about something having to do with their personal history or cultural background. If we are familiar with a subject it is much easier to convince our reader of the ‘experience’ or ‘story’ that is being written about. Although Nathaniel Hawthorne’s allegory, The House of Seven Gables, was not entirely true, the incomparable part of it had to do with his personal history and his cultural background. His relation to the house was from his cousin Phoebe and the ideas about .....