.... what he is deep down. Macbeth has no control over the way he is. It is his vaulting ambition that makes him the way he is. This is why I consider it a circumstance where others may not. Macbeth is weak. He gave in to his evil side by even considering murdering Duncan. We can see him questioning himself in his aside in Act I scene 3 "Why do I yield to that suggestion whose horrid image ... Are less than horrible imaginings;"6. He cannot seem to be able to control his thoughts. He lets his ambition to become king run a wild. The murder of Duncan is the first and biggest step in Macbeth's moral degradation. From here evil deeds bec .....

.... in his actions and inner state. When questioned by Gertrude about his melancholy appearance Hamlet says, ÊSeems, madam? Nay it is. I know not ÈseemsiË (1.2.76). This is to say ÊI am what I appear to be.Ë Later he makes a clear statement about his state when he commits himself to revenge. In this statement the play makes an easy to follow shift. This shift consists of Hamlet giving up the role of a student and mourning son. Hamlet says, I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there, And thy commandment all alone shall live Within the boo .....

.... prophet, comes to convict Oedipus: “I charge you to obey the decree that you yourself have made. You are the differ of this land.� He tells of the plague not leaving until the murderer is found. Tiresias, being a great prophet, knows all but will not tell: “I will speak no further. Rage if you have a mind to.� Only after Oedipus persists does the prophet say Oedipus is the murderer: “I say that you are the murderer that you seek.� Tiresias further states that Oedipus is married to his mother: “You are living with your next of kin in unimagined shame.� Oedipus, unwilling to turn the mirror on himself, resorts to insulting .....

.... How will sexuality on network television effect adolescence for the future. What role does cable television play in the new sexual revolution of television. Is sexuality on television really a problem or is it just hype brought on by other outlets of the media and family groups? I will attempt to explore all these paths in the research paper. In 1985, every hour of every day an average of two to three acts of "sexual content" centered on heterosexual intercourse. This is an important factor to remember because it set the trend for what is going to happen in the future. There will either be an increase, decrease, or no change .....

.... “And all the men and women merely players;� (2.7.140). The next sentence is lower in pitch, using a lower ‘ e' sound “..exit and their entrances,� (2.7.141). Reappearing in the final two sentences, before the actual ages begin, is the ‘aw' sound. The fluctuation like that of a ring master, is striving to gain attention before the show starts. The first three stages can be considered the childhood progressing into adulthood stages. “Mewling and puking...� (2.7.144), are two words, which when said, they are slurred and unclear, much like that of the speech of an infant. The ‘ew' in mewling and the ‘you' sound in .....

.... however, in a very short time make her look very selfish. After Creon tells her the story about her brother’s bodies, she takes the stance that she must bury her brother for herself. That all but erases the thought of her, as a hero because all of her actions that were thought to have been done for Polynices were only done to satisfy her own needs. The one characteristic of Antigone that seems to be constant throughout the play is her stubbornness. From the beginning of the play when she sneaks out to bury her brother after Creon had specifically told her not to, all the way to the end when she is given the opportunity to marry Haemon .....

.... over takes him is the human flaw of ambition. As time progresses and Shakespeare shows Macbeth's initial "fear" of Banquo; but as his mind becomes engulfed in the his best friends murder he label's him as "your enemy" and making sure that he is left "no rubs nor botches in the work" Macbeth is obviously afraid of experiencing the same emotional trauma of his first murder. Although he think he is solving his problems, his damnation is ever progressing by making being indirectly involved in the murder of his one time best friend and father of a line of kings. The reader sees how ones desire for self - power can destroy himself completely. .....

.... plains of phillipi Brutus and cassius meet Antony for a battle. Unsuspectingly Brutus and cassius commit suicide. Octavius becomes the leader of Rome. There were three tragedies in this story, The murder of Caesar and the deaths of Brutus and cassius. Caesar was murdered by Brutus and cassius on march 15. Brutus says he done it for his love of Rome. Cassius had done it because of jealously of Caesar. (672) They were afraid what would happen to Rome if Caesar ruled Rome. This is where the story starts to coming to the falling action. Another tragedy was when cassius killed himself. (714) He asked Pindarus to kill him. He asks this because .....

.... fit but because of his greed Macbeth had to look upon other peoples clothing, since in his way of thinking others had better clothing. From that point on his greed took over. Therefore he was driven to kill the king so he can take his clothes. “The thane of Cawdor lives. Why do you dress me in borrowed robes?� (Macbeth,1.3,108, p.12) “This means that Macbeth is always dressed in tittles that are not his.� New honours come upon him, Like our strange garments, cleave not to their mould, But with the aid of use. (Banquo,1.3,144, p.14) “This means that the idea constantly recurs that Macbeth’s new honours sit ill upon him, .....

.... the Capulets party. Romeo goes to find Rosaline at Capulets party yet fate leads him to meet Juliet. He wants the outside power that rules his life to "steerage [his] course and direct [his] sail" (Act 1, Scene 5, Pg. 403) for he thinks that fate will lead him in the right direction. The vision Romeo sees in his dream "that his lady found him dead" (Act IV, Scene I, Pg. 463) foreshadows that fate brings Romeo to his death. Likewise, Juliet's life and her relationships are predetermined by fate. Juliet goes to the party to meet Paris yet fate brings Romeo and Juliet together on first sight which intensifies the deadly conflict between t .....