.... they are casting spells on a poor sailor because his wife cursed one of the witches and refused to give her some chestnuts. Chances are, that if women are fighting, a man will suffer for it. Just then, Macbeth and Banqou see the witches and engage them in conversation. The witches greet Macbeth with, "Thane of Glamis" (his present title), "Thane of Cawdor" (his soon-to-be announced title), and the prophesy that he will be "King hereafter." They also greet Banquo with, "lesser than Macbeth, and greater," as "not so happy, yet much happier," and tell him "thou shalt get kings, though thou be none." How would the witches know of thei .....

.... forgot the taste of fears.� Nothing even shocks him anymore. He is “ in blood stepped so far that … returning were as tedious as go o’er.� There has just been too much blood shed, and he knows that there is no going back for him. However, he still reveals that he is “ but young in deed.� Many innocent people have died, and Macbeth still thinks he needs to do more. The ultimate injustice that he commits is the murder of Lady Macduff and her young son. There was no motive, and their deaths did not advance his position in any way. Furthermore, he reveals that “ the very firstlings of my heart shall be the firstlings of my ha .....

.... but not without the help of costumes. If it were not for costumes the result of love might have been drastically different. How was the masque used to get lovers together? In the case of Romeo and Juliet, Romeo hears about the masque and decides to go, thinking that he might be able to get away with this scheme. Upon entering he sees Juliet and right away, he knows it is love. If he had not worn the costume, the hosts might have ejected him from the party and he might not have met Juliet. Much Ado About Nothing has a similar but also different approach towards love at the masque. In Much Ado, Count Claudio is not able to gather the c .....

.... During the stage directing of the play Lena has the ^noble bearings of the women of the heroes of the Southwest Africa , but she totally ignores her African past and does not care much about it either^ (Cheney 59). Asagai Beneatha^s acquaintance talks allot about his African past and believes deeply in his culture and heritage. He is from Nigeria where there is a lot of poverty. is a quiet celebration of the black family the importance of African roots, the equality of women, the vulnerability of marriage, the true value of money, the survival of the individual and the nature of mans dreams (Cheney 55). Africa is a gre .....

.... disrespect for the Mexican heritage by saying all that is wroong with them. He shows their flaws, weaknesses, and imperfections. I believe your heritage makes up who you are and that is you, so you should never disrespect yourself by disrespecting your heritage. I believe thee way he sold-out was by disrespecting his heritage. THe Mexican American is still trying to decide weather he is going to live Mexican or American. When the Mexican-American says,"the only thing I don't like is how come I always got to play the goddamn Mexican-American"(page384). You are unsure by this statement weather he is selling-out his Mexican or his Ameri .....

.... Mama finds the last snowball -- some junk food -- in the fridge, Jessie asks for some black plastic bags. It's on their schedule that Jessie will give Mama a manicure. Then Jessie asks: JESSIE: Where's Daddy's gun? Life for Jessie and Mama is such a dull routine, Mama doesn't even pause to consider the request odd. She evens helps Jessie figure out where the gun is kept. It's not until half a column later that Mama asks: MAMA: What do you want the gun for, Jess? JESSIE: Protection. Mama at first considers that she and Jessie have nothing to steal, and what was valuable was stolen by Jessie's son, Ricky. MAMA: I mean, I don't even .....

.... When Antonio's ships do not come in and he is not able to repay the loan Shylock is no longer interested in getting his money back. Shylock want revenge for the loss of his daughter through the fulfillment of the bond. In court Shylock is defeated because of his selfishness. Shakespeare also shows the human qualities of Shylock throughout the play. Shakespeare brings out these human qualities by causing us to feel sympathy for him. After the loss of his daughter Shylock ran through the streets crying “My daughter! O my ducats! O my daughter!� as children followed him, mocking him. This causes us to feel sympathy for Shylock, eve .....

.... the ornament of life And live a coward in thine own esteem, Letting 'I dare not' wait upon 'I would,' Like the poor cat I' th' adage?" (I, vii, 39-49) By doing this, she manages to get Macbeth to kill King Duncan, however, in the end, she knows she is just as guilty as he is. Her guilt emerges in her visions of blood remaining on her hands, "The Thane of Fife had a wife. Where is she now? What, will these hands ne'er be clean? No more o' that, my lord, no more o' that. You mar all with this starting." (V, I, 44-47) Another less obvious place where Lady Macbeth uses others to shield her guilt is when Banquo is murder .....

.... a magazine, is something that you have to go out and get, or even worse, wait for. News is not readily available, and waiting can be unpleasant if you are anxious for the inside scoop. Television, on the other hand, is available on a daily basis, and it can be turned on at any. Satellite owners have an even greater advantage, they can find global news and have a greater number of choices such as which news program to watch. Also, if a person is illiterate or a poor reader, it is quite obvious that they will choose television over a newspaper. Television is a much easier alternative than obtaining news through print. A third and very import .....

.... from Picador. Other writings of Schulz used for the basis of the dramatic text include additional short stories and letters. Although they never appear on stage, it is unlikely that the illustrations penned by Schulz were ignored as inspirations. Work on this project began at the Royal National Theatre Studio in 1991. Simon McBurney, Co-founder and Artistic Director of Theatre de Complicite, has served as the shows’ director since this time. Jacob Schulz, Bruno’s nephew, worked with the company as they developed the show. His relationship with the play remained ongoing through its’ continued growth until his death in 1997. J .....